Born Los Angeles, CA

BFA, California Institute of the Arts, Valencia, CA

University of California, Los Angeles, Los Angeles, CA

Gladstone Gallery, Brussels, Belgium
Galerie Neu, Berlin, Germany
Photographic, Fotomuseum Winterthur, Winterthur, Switzerland

Photographic, Sprengel Museum, Hannover, Germany [cat.]
Anton Kern Gallery, New York, NY
FRAC Normandie, Rouen, France

The Modern Institute, Glasgow, Scotland
Women with Cameras (Self Portrait), Minneapolis Institute of Art, MN 

Women With Cameras, Rat Hole Gallery, Tokyo, Japan
Galerie Neu, Berlin, Germany
Anton Kern Gallery, New York, NY

Aspen Art Museum, Aspen, CO
The Art Gallery of Ontario, Toronto, Canada

Studio Voltaire, London, UK
The Museum of Contemporary Art, Chicago, IL [cat.]
Hydra Workshop, Hydra, Greece
Hessel Museum of Art, Annandale-on-Hudson, NY
The Modern Institute, Glasgow, Scotland

Marc Foxx, Los Angeles, CA

Anton Kern Gallery, New York, NY
High Line Art billboard commission, presented by Friends of The Highline &
Cecilia Alemani, New York, NY

Corvi-Mora, London, UK
Nottingham Contemporary, Nottingham, UK

Anton Kern Gallery, New York, NY
PHOTOGRAPHIC: Anne Collier and Melanie Schiff, Salina Art Center, Salina, KS

Galerie Giti Nourbakhsch, Berlin, Germany
Artpace, San Antonio, TX

Bonner Kunstverein, Bonn, Germany
Marc Foxx, Los Angeles, CA
Open Eye Gallery, Liverpool, UK
Presentation House, Vancouver, BC
Anton Kern Gallery, New York, NY

Corvi-Mora, London, UK

Vacío 9, Madrid, Spain

Corvi-Mora, London, UK

Marc Foxx, Los Angeles, CA
Jack Hanley Gallery, San Francisco, CA

Marc Foxx, Los Angeles, CA

Marc Foxx, West Gallery, Los Angeles, CA

Institute of Visual Arts, University of Wisconsin, Milwaukee, WI

One on One, Three Day Weekend, Los Angeles, CA

Mourning, Kunsthalle Hamburg, Hamburg, Germany 

Grande Révolution Domestique, Familistère de Guise, Guise, France (forthcoming)
Studio Photography: 1887–2019, Simon Lee Gallery, New York, NY
Frederick Weston: Happening, Gordon Robichaux, New York, NY
What is an edition, anyway? McEvoy Foundation, San Francisco, CA
I will be Dead, König Galerie, London, UK

Role-Playing Rewriting Mythologies, curated by Ami Barak, Daegu Photo Biennale, Daegu, Korea
This Is Not a Selfie: Photographs from the Audrey and Sydney Irmas Collection, Museum of Fine Arts, St. Petersburg, FL
tears then holes, Rachel Uffner Gallery, New York, NY
Soft Focus, Dallas Museum of Art, Dallas, TX
Picture Fiction: Kenneth Josephson and Contemporary Photography, MCA Chicago, IL [cat.]
This Is Not a Selfie: Photographs from the Audrey and Sydney Irmas Collection, Alyce de Roulet Williamson Gallery at ArtCenter College of Design, Pasadena, CA
Open House: The Modern Institute at Jessica Silverman Gallery, San Francisco, CA

Ritual, Aspen Art Museum, Aspen, CO 
Always Someone Asleep and Someone Awake, Galerie des Galeries, Paris, France
The Trick Brain: Selections from the Aishti Foundation Collection, curated by Massimiliano Gioni, Aishti Foundation, Antelias, Lebanon [cat.]
la mère la mer, McEvoy Foundation for the Arts, San Francisco, CA
We are everywhere, curated by Manilor Senior Curator Omar Kholeif, MCA Chicago, IL
This is Not a Selfie, curated by LACMA, San Jose Museum of Art, San Jose, CA
Street Hassle, Marlborough Contemporary, London, UK
Woman with a Camera, MCA Chicago, IL
Lyric on a Battlefield, Gladstone Gallery, New York, NY
Situation #72, Fotomuseum Winterthur, Switzerland
You Are Looking At Something That Never Occurred, Zabludowicz Collection, London
Double Take, Skarstedt, London, UK [cat.]
Anne Collier, William Daniels, Annette Kelm, Carter Mull, David Musgrave, Maaike Schoorel, Marc Foxx Gallery, Los Angeles, CA
Punto de Partida: works from the Isabel and Agustín Coppel Collection, Fundación Cultural Banco Santander Art Gallery, Madrid, Spain [cat.]
WAGSTAFF’S, MOSTYN, Wales, UK
THE GAP BETWEEN THE FRIDGE AND THE COOKER, The Modern Institute, Glasgow, UK

A Slow Succession with Many Interruptions, SF MoMA, San Francisco, CA
65 WORKS SELECTED BY JAMES WELLING, Foundation for Contemporary Art Benefit
Exhibition, David Zwirner, New York, NY
UMA CANÇAO PARA O RIO / A SONG FOR RIO, Galeria Fortes Vilaça, São Paulo, Brazil
The Pencil of Culture, Centre Pompidou at Paris Photo, Grand Palais, Paris
grabt tiefer, ihr Schönen, Galerie Neu, Berlin, Germany
Implosion 20, Anton Kern Gallery, New York, NY
Strange Oscillations and Vibrations of Sympathy, University Galleries of Illinois State University, Normal, IL
The Sun Placed in the Abyss, Columbus Museum of Art, Columbus, OH
Systematically Open: New Forms for Contemporary Image Production, Luma Arles, Arles, France
MANIFESTA 11, curated by Christian Jankowski, Zurich, Switzerland
Collected, Pier 24, San Francisco, CA [cat.]
Invisible Adversaries, The Hessel Museum at Bard College, Annadale-On-Hudson, NY [cat.]
California and the West: Photography from the Campaign for Art, SF MoMA, San Francisco, CA
Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York, NY
Dear (s) Ami (e) s, Centre Pompidou, Paris, France
L’image volée, curated by Thomas Demand, Fondazione Prada, Milan, Italy [cat.]
Ordinary Pictures, Walker Art Center, Minneapolis, MN [cat.]
Reflection, curated by Philip Martin, with Larry Bell, Anne Collier, and Bernard Piffaretti, Andrea Rosen Gallery, New York, NY

UGO RONDINONE : I ♥ JOHN GIORNO, Palais de Tokyo, Paris, France
Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum, New York, NY
Colección Jumex, In Girum Imus Nocte et Consumimur Igni, Fundación Jumex Arte Contemporáneo, Mexico City, Mexico
The Coming Museum, Eugenio de Almeida Foundation, Evora, Portugal
Photo Poetics, Solomon R. Guggenheim Museum, New York, NY, traveled from Deutsche Bank KunstHalle, Berlin, Germany
A Room of One's Own, Yancey Richardson Gallery, New York, NY
America Is Hard To See, The Whitney Museum of American Art, New York, NY
Popular Images, Karma, Amagansett, NY
Still Life Photography Group Show, The Arts Club, London, UK
City Limit, curated by Collin Snapp, The Journal Gallery, Brooklyn, NY
Games With the Camera / Past Perfect, part of series “Techniques of Release,” PF Photography Gallery, Poznan, Poland
Lens Work: Celebrating LACMA's Experimental Photography at 50, Los Angeles County Museum of Art, Los Angeles, CA

BLACKOUT, Galerie Rodolphe Janssen, Ixelles, Belgium
FIERCE CREATIVITY, curated by Chuck Close and Jessica Craig-Martin, Pace Gallery, New York, NY
The Thing Itself, Yancey Richardson Gallery, New York, NY
Somos Libres II: Works from the Mario Testino Collection, curated by Neville Wakefield, Pinacoteca Giovanni e Marella Agnelli, Torino, Italy [cat.]

A drawing that illustrates my last show at Meyer Riegger Karlsruhe, Meyer Riegger, Berlin, Germany
XOXO & JOSH KLINE, curated by Josh Kline, Night Gallery, Los Angeles, CA
Double Hamburger Deluxe, Marlborough Chelsea, New York, NY
Revealed, Stonescape: Norah and Norman Stone Collection, Calistoga, CA [cat.]
Antibody, Lisa Cooley, New York, NY
Summer of Photography, Carolina Nitsch, New York, NY
Antigrazioso, Palais de Tokyo, Paris, France
Museum of Modern Art and Western Antiquities Department of Light Recordings, Section IV: Lens Drawings, curated by Jens Hoffmann, Marian Goodman Gallery, Paris, France [cat.]
Ten Years, Wallspace, New York, NY
In the Heart of the Country: The collection of the Museum of Modern Art in Warsaw, Museum of Modern Art, Warsaw, Poland
Rien faire et laisser rire. (Do nothing and let them laugh), organized by Bob Nickas, Galerie
Rodolphe Janssen, Brussels, Belgium [cat.]
Leonor Antunes, Anne Collier, Amalia Pica, Frances Stark & Jennifer West, Marc Foxx, Los Angeles, CA
Alchemical, curated by Kevin Moore, Steven Kasher Gallery, New York, NY [cat.]
Face to Face: The Audrey and Sydney Irmas Collection at LACMA, Paris Photo Fair, Paris, France
More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, The University of North Carolina at Chapel Hill, Chapel Hill, NC (traveling)
The Polaroid Years: Instant Photography and Experimentation, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY [cat.]
Revolution From Within, Kaufmann Repetto, Milan, Italy
Une Affaire De Famille, Musée de la Photographie à Charleroi, Charleroi, Belgium
Masquerade, High House Gallery, Clanfield, Oxfordshire, UK

Lost & Found: Anonymous Photography in Reflection, Ambach & Rice, Los Angeles, CA
New Photography 2012, Museum of Modern Art, New York, NY
Real to Real: Photographs from the Traina Collection, de Young Museum, San Francisco, CA
Spectral Landscape (with Viewing Stations), Gallery 400, University of Illinois at Chicago, Chicago, IL
Only Parts of Us Will Ever Touch Parts of Others, curated by Timothée Chaillou, Galerie
Thaddaeus Ropac, Paris, France
The Feverish Library, organized in cooperation with Matthew Higgs, Friedrich Petzel Gallery, New York, NY
Poule!, Fundación/Colección Jumex, Ecatepec, Mexico [cat.]
Matters of Fact, Hessel Museum of Art, Annandale-on-Hudson, NY
Blind Cut, curated by Jonah Freeman and Vera Neykov, Marlborough Chelsea, New York, NY
Creature From the Blue Lagoon, organized by Bob Nickas, Martos Gallery, Bridgehampton, NY
You Know?, Altman Siegel, San Francisco, CA

Singular Visions, Whitney Museum of American Art, New York, NY
The 2011 Bridgehampton Biennial, Martos Gallery, curated by Bob Nickas, Bridgehampton, NY
Catalogue of the Exhibition, curated by Bob Nickas, Triple V, Paris, France
Anti-Photography, Focal Point Gallery, Essex, UK
Haunted: Contemporary Photography/Video/Performance, Guggenheim, Bilbao, Spain
Real Simple, Riverview School, Cape Cod, MA
No Color in Your Cheeks Unless The Wind Lashes Your Face, It’s Our Playground, Glasgow, Scotland
NY: New Perspectives, Brand New Gallery, Milan, Italy
That’s The Way We Do It. The Techniques and Aesthetic of Appropriation, Kunsthaus Bregenz, Bregenz, Austria
Still Life, curated by Polly Staple, Lismore Castle Arts, Lismore, Ireland
4 Women Making Art About Women: Selections from The Collection of Martin and Rebecca Eisenberg, Eisenberg Family Gallery at Riverview School, Cape Cod, MA

How Soon Is Now, Garage Center for Contemporary Culture, Moscow, Russia
Fresh Hell, curated by Adam McEwen, Palais de Tokyo, Paris, France
10,000 Lives, Gwangju Biennale, Gwangju, South Korea
Collecting Biennials, Whitney Museum of American Art, New York, NY
Le Faux Miroir, curated by Bob Nickas, Galerie Rodolphe Janssen, Brussels, Belgium
The Discovery Award, curated by Tom Eccles, Les Rencontres D'Arles Photographie, Paris,
France
The Page, curated by John Stezaker and Matthew Higgs, Kimmerich, New York, NY
Haunted: Contemporary Photography/Video/Performance, Solomon Guggenheim Museum, New York, NY; 
BigMinis: Fetishes of Crisis, CAPC Musée d'art Contemporain de Bordeaux, Bordeaux, France
Mixtapes, Popular Music in Contemporary Art, Lewis Glucksman Gallery, Cork, Ireland
ENDGAME, SlaughterhouseSpace, Healdsbug, CA

The Rustle of Language, Galleria Francesca Kaufmann, Milan, Italy
An Autobiography of the San Francisco Bay Area, SF Camerawork, San Francisco, CA
The Secret Life of Objects, Midway Contemporary Art, Minneapolis, MN
The living and the dead, Gavin Brown’s enterprise, New York, NY
Correspondences, Galerie Mezzanin, Vienna, Austria
Revolver, COCO (Contemporary Concerns - Kunstverein), Vienna, Austria
To Be Determined, Andrew Kreps Gallery, New York, NY
A Twilight Art, Harris Lieberman, New York, NY
Copy, Project Room, White Columns, New York, NY
Cris Brodahl, Brian Calvin, Anne Collier, Brian Fahlstrom, Jason Meadows, Carter Mull, Sterling Ruby, Mateo Tannatt, Marc Foxx, Los Angeles, CA

Dispersion, Institute of Contemporary Art, London, UK
Legende, Centre d’Art  Contemporain, Chamarande, France
Unknown Pleasures, Aspen Art Museum, Aspen, CO
Friends and Family, Anton Kern Gallery, New York, NY
Schatten werfen keine Schatten, Meyer Riegger, Karlsruhe, Germany
Records Played Backwards, curated by Daniel Baumann, The Modern Institute, Glasgow, Scotland
A New High in Getting Low, John Connelly Presents, New York, NY
Sphinxx, Stuart Shave/Modern Art, London, UK
Signs of The Time, The Whitney Museum of American Art, New York, NY

Two Years, Whitney Museum of American Art, New York
People Take Pictures of Each Other, curated by Bob Nickas, LaMontagne Gallery, Boston, MA
NeoIntegrity, Derek Eller Gallery, New York, NY
Anything You Want, Pump House Gallery, Battersea Park, London, UK
Extra-Ordinary: The Everyday Object in American Art. Selections from the Whitney Museum of American Art, Austin Museum of Art, Austin, TX
I Am Eyebeam, Gallery 400, University of Illinois at Chicago, Chicago, IL, curated by Melanie Schiff and Lorelei Stewart
Mario Testino: At Home, curated by Mario Testino, Yvon Lambert, New York, NY
Beneath the Underdog, Gagosian Gallery, New York, NY
Der Droste Effekt, Esther Schipper, Berlin, Germany
Strange Magic, Luhring Augustine, New York, NY
Last Attraction Next Exit, curated by Neville Wakefield, Max Wigram Gallery, London, UK

Good Vibrations: Visual Arts and Rock Culture, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, curated by Lorenzo Fusi [cat.]
Anne Collier, Dominique Gonzalez-Foerster, Roger Hiorns, Colter Jacobsen, Corvi-Mora, London, UK
The Rhubarb Society, Tracey Lawrence Gallery, Vancouver, BC
Just Off Focus, Andrew Kreps Gallery, New York, NY
Strange Powers, Creative Time, New York, NY
Fountains, D’Amelio Terras, New York, NY
Mid-Life Crisis, Salander-O’Reilly Galleries, New York, NY
Peter Coffin, Anne Collier, Eileen Quinlan, United Artists, Marfa, TX
Refract, Marc Foxx, Los Angeles, CA
Writing in Strobe, curated by Andrew Hunt, Dicksmith Gallery, London, UK
Slow Burn, curated by Jonah Freeman, Galerie Edward Mitterrand, Paris, France
Whitney Biennial: Day For Night, curated by Chrissie Iles and Philippe Vergne, Whitney
Museum of American Art, New York, NY
Axis of Praxis, Midway Contemporary Art, Minneapolis, MN

Always Crashing in the Same Car, Galleri Susanne Ottesen, Copenhagen, Denmark
The Early Show, White Columns, New York, NY
Drunk vs. Stoned 2, Gavin Brown’s enterprise, New York, NY
Bonds of Love, curated by Lisa Kirk, John Connelly Presents, New York, NY
Gallery Artists Summer Group Show, Marc Foxx, Los Angeles, CA
Bridge Freezes Before Road, curated by Neville Wakefield, Barbara Gladstone Gallery, New York, NY [cat.]
Greater New York, MoMA PS1, Long Island City, NY
in words and pictures, Murray Guy, New York, NY

Eye Spy, Museum of Contemporary Art, San Diego, CA
Land of the Free, curated by Lee Plested, Jack Hanley Gallery, San Francisco, CA
Let the Bullshit Run a Marathon, curated by Nate Loman, Nicole Klagsbrun Gallery, New York, NY
Three Day Weekend, in collaboration with the Whitney Biennial, curated by Dave Muller, Public Art Fund Projects in Central Park, New York, NY
Likeness: Portraits of Artists by Other Artists, CCA Wattis Institute, San Francisco, CA
traveling to Charlotte, NC; Boston, MA; Long Beach, CA; Nova Scotia, Canada; Calgary, Canada

for nobody knows himself if he is only himself and not another at the same time, Marc Foxx, Los Angeles, CA
Makeshift World, Stephen Wirtz Gallery, San Francisco, CA
summer show, Marc Foxx, Los Angeles, CA
17 Reasons, curated by Kate Fowle and Jack Hanley, Jack Hanley Gallery, San Francisco, CA
Portraiture, Karyn Lovegrove Gallery, Los Angeles, CA

Bay Area Now III, Yerba Buena Center for the Arts San Francisco, CA
A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffmann, The Project, Los Angeles, CA
Group Show, Marc Foxx, Los Angeles, CA

Marc Foxx, Los Angeles, CA
New Wight Art Gallery, UCLA, Los Angeles, CA
I Want More, Temple Bar Gallery, Dublin, Ireland

Summer Group Show, Goldman Tevis, Los Angeles, CA
Art Dogs, George’s, Los Angeles, CA

Eros Travel Company, Studio Neuwirth, Vienna, Austria
Striking Distance, curated by Andrea Bowers, Internet exhibition

Dave’s Not Here, Three Day Weekend, Los Angeles, CA

Thanks!, Three Day Weekend, Los Angeles, CA
Summer Group Show, Three Day Weekend, Los Angeles, CA

L.A.C.E., video screening of Los Angeles video artists, Los Angeles, CA