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frozen: Ellen Gronemeyer

Past exhibition
January 11 - February 24, 2018
  • Overview
  • Installation Views
  • Works
  • Press
Overview
Ellen Gronemeyer hot tin roof, 2017 Oil on canvas 63 x 70.87 inches (160 x 180 cm)
Ellen Gronemeyer
hot tin roof, 2017
Oil on canvas
63 x 70.87 inches
(160 x 180 cm)

For her first solo exhibition at Anton Kern Gallery, Berlin-based painter Ellen Gronemeyer presents a group of new paintings that portray youthful characters, children, and the occasional animal in a topsy-turvy world of whirring colors and improbability. Captured alone or in friendly groupings, and often engaged in various stages of contemplation and transformation, Gronemeyer’s protagonists are fueled with the paradoxical energies of the possible and the imagined.

 

How real is the likelihood of metamorphosis, Gronemeyer’s paintings seem to be asking, how probable a change of the form or nature of a thing or person into a completely different one? Let’s say, the mutation of a young man into a mechanical spider wearing socks and gloves suspended from the unknown into a shadowy mountainscape; or, two friends embracing while their heads transform into large globes, like two worlds meeting; or, four adolescent dancers in a cramped space with two of the figures breaking apart at hip level and nearly merging into each other while an onlooker seems mildly startled.

 

Obviously, transformation is what painting can do: mess with the rules of nature, create unlikely scenarios. However, Gronemeyer seems to suggest something more, namely that these transformations are possible, observed in real life, or at least nearly witnessed in her daily life experience.

 

The surprise and shock of these paintings do not result from the improbability of their scenarios or the artist’s vocabulary of metaphors alone, but from the way the paintings are made. Paint and brushstroke merge into the figures, and vice versa, figures dissolve into flickering surface patterns. The illusion of a donkey with the human-faced nose is absorbed into a sparkling ground that resembles more an unkempt hairy carpet than the spotlit stage it is depicting. And equally a three-eyed, double-nosed kneeling figure transforms into a spectacular surface of brush marks and, despite its darkness, celebratory paint surface. Herein lies Gronemeyer’s magic. In her ability to transform metaphor into paint, so that the physical works themselves become the protagonists in the artists’ world of open possibilities. An illogical world for sure, but one where seriousness and profundity lie in the interplay of color-trembles and humming, gnarly brush marks with her cast of characters, a world in which the original, biological meaning of metamorphosis, i.e. the transformation from an immature stage to an adult stage, is played through and, most astonishingly, temporarily reversed.

 

Gronemeyer has exhibited in galleries throughout Europe as well as New York and Chicago, and was recently included in groups shows at Neuer Aachener Kunstverein, Aachen (2017); Kunsthalle Bern, Bern (2015); and Deichtorhallen Hamburg, Hamburg (2011). She lives and works in Berlin, Germany.

 

Download Press Release
List of Works
Installation Views
  • Installation view of frozen show, featuring one work.
  • Installation view of frozen exhibition, entryway staircase and a few pieces featured.
  • Installation view of frozen exhibition, showcasing Gronemeyer's work think tank.
  • Installation view of frozen exhibition, showcasing five of Gronemeyer's works on the first floor.
  • Installation view of frozen exhibition, featuring a few of Gronemeyer's works.
  • Installation view of frozen show, presenting two of the artist's works.
  • Installation view of frozen show, featuring Ellen Gronemeyer's hot tin roof.
  • Installation view of frozen show, featuring three works.
  • Installation view of frozen show, featuring one of Gronemeyer's works besides two french doors.
  • Installation view of frozen show, featuring four works.
  • Installation view of frozen show, showcasing Gronemeyer's 2017 work cop de theatre.
  • Installation view of frozen show, two works shown.
Works
  • Ellen Gronemeyer scorpions, 2017
    Ellen Gronemeyer
    scorpions, 2017
  • Ellen Gronemeyer hot tin roof, 2017
    Ellen Gronemeyer
    hot tin roof, 2017
  • Ellen Gronemeyer crosswind landing, 2017
    Ellen Gronemeyer
    crosswind landing, 2017
  • Ellen Gronemeyer tightened, 2017
    Ellen Gronemeyer
    tightened, 2017
  • Ellen Gronemeyer herb-rich, 2017
    Ellen Gronemeyer
    herb-rich, 2017
  • Ellen Gronemeyer think tank, 2017
    Ellen Gronemeyer
    think tank, 2017
  • Ellen Gronemeyer vor hang over, 2017
    Ellen Gronemeyer
    vor hang over, 2017
  • Ellen Gronemeyer herb Paris, 2017
    Ellen Gronemeyer
    herb Paris, 2017
  • Ellen Gronemeyer high five, 2017
    Ellen Gronemeyer
    high five, 2017
  • Ellen Gronemeyer candychain, 2017
    Ellen Gronemeyer
    candychain, 2017
  • Ellen Gronemeyer coup de theatre, 2017
    Ellen Gronemeyer
    coup de theatre, 2017
  • Ellen Gronemeyer frozen, 2017
    Ellen Gronemeyer
    frozen, 2017
  • Ellen Gronemeyer positive skewness, 2017
    Ellen Gronemeyer
    positive skewness, 2017
  • Ellen Gronemeyer rockpool, 2017
    Ellen Gronemeyer
    rockpool, 2017
  • Ellen Gronemeyer tictac, 2017
    Ellen Gronemeyer
    tictac, 2017
Press
  • Ellen Gronemeyer at Anton Kern Gallery

    Art Viewer, February 14, 2018
  • Art To See This Weekend

    Andrea K. Scott, The New Yorker, January 19, 2018
    This link opens in a new tab.
  • Martin Herbert’s pick of exhibitions to see in January & February

    Martin Herbert, ArtReview, January 10, 2018

Related artist

  • Ellen Gronemeyer

    Ellen Gronemeyer

Back to exhibitions

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