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Sarah Jones

Past exhibition
March 27 - April 26, 2014
  • Overview
  • Installation Views
  • Works
  • Press
Overview
Sarah Jones The Rose Garden (Display) (VI), 2014 C Print 59 7/8 x 48 inches (152.1 x 121.9 cm) 62 x 50 1/8 inches (framed) (157.5 x 127.3 cm) 59 7/8 x 48 inches (unframed) (152.1 x 121.9 cm) Edition of 5 and 2 AP
Sarah Jones
The Rose Garden (Display) (VI), 2014
C Print
59 7/8 x 48 inches
(152.1 x 121.9 cm)
62 x 50 1/8 inches (framed) (157.5 x 127.3 cm)
59 7/8 x 48 inches (unframed) (152.1 x 121.9 cm)
Edition of 5 and 2 AP

For her fourth solo show at Anton Kern Gallery, British photographer Sarah Jones presents twenty-one new images from her Cabinet, Vitrine, Rose Gardens, and Horse series. They are immersed in the deep black tone of highly saturated C-prints, many made from black-and-white negatives, and strike a distinct note between straight un-manipulated documents and profoundly emotive image inventions. Following on from the recent publication of her monograph by Violette Editions as well as her one-person exhibition at the Minneapolis Institute of Arts, Jones’ new photographs continue to explore how subjects are measured and transcribed through the large format view camera and flattened in pictorial space.

 

Over the years themes such as the analyst’s couch, the municipal rose garden as still life in-situ, the drawing studio and the singular female subject have been central to her concerns. Her photographs are often made on location and illuminated with carefully controlled lighting that allows the subject to both emerge from and recede into a darkened space. Through the use of analogue techniques Jones studies the correspondence between the skin of the film, the surface of the photographic print and the surface of her subjects. For Jones this attention to materiality brings to mind the act of mark making in drawing.

 

Jones has previously used the diptych as a formal device and direct reference to early stereographic photographs in order to present two perspectives of a single form. The recent diptychs consider the act of doubling and the alchemic nature of the photographic process by literally flipping an image. One becomes an imprint or reflection of the other recalling the Rorschach inkblot. In such an act of mirroring, Cabinet (II) (After Man Ray) (I) and (II) picture a curved glass object that recalls Man Ray's Le Violon d’Ingres, (1924). Other works in the exhibition reflect on the photographic language of Florence Henri, Karl Blossfeldt and Eugene Atget.

Download Press Release
List of Works
Installation Views
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. Entry into the gallery.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. Many works shown here.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. Four works featured.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. A few additional works presented.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. Three works featured.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. Three more works.
  • Installation view of Sarah Jones' fourth solo show at Anton Kern, featuring 21 new photographs. Three small works as well as one large work featured here.
Works
  • Sarah Jones Vitrine (I/I), 2014
    Sarah Jones
    Vitrine (I/I), 2014
  • Sarah Jones Vitrine (I/II), 2014
    Sarah Jones
    Vitrine (I/II), 2014
  • Sarah Jones Screen (I), 2014
    Sarah Jones
    Screen (I), 2014
  • Sarah Jones Cabinet (XII) (Ouroboros), 2014
    Sarah Jones
    Cabinet (XII) (Ouroboros), 2014
  • Sarah Jones Cabinet (III) (Drape), 2003
    Sarah Jones
    Cabinet (III) (Drape), 2003
  • Sarah Jones Cabinet (XIII) (Tractatus), 2014
    Sarah Jones
    Cabinet (XIII) (Tractatus), 2014
  • Sarah Jones Horse (profile) (black) (II/I), 2013
    Sarah Jones
    Horse (profile) (black) (II/I), 2013
  • Sarah Jones Horse (profile) (black) (II/II), 2013
    Sarah Jones
    Horse (profile) (black) (II/II), 2013
  • Sarah Jones Rosehip (I), 2013
    Sarah Jones
    Rosehip (I), 2013
  • Sarah Jones Wild Rose (Blue Flower) (IV), 2013
    Sarah Jones
    Wild Rose (Blue Flower) (IV), 2013
  • Sarah Jones The Rose Gardens (Display) (VIII), 2014
    Sarah Jones
    The Rose Gardens (Display) (VIII), 2014
  • Sarah Jones Cabinet (VI) (Two Spheres), 2014
    Sarah Jones
    Cabinet (VI) (Two Spheres), 2014
  • Sarah Jones Cabinet (VIII) (Covered Plinth), 2014
    Sarah Jones
    Cabinet (VIII) (Covered Plinth), 2014
  • Sarah Jones Cabinet (XI) (Orchid), 2014
    Sarah Jones
    Cabinet (XI) (Orchid), 2014
  • Sarah Jones Cabinet (I) (Ivy/Trail), 2012
    Sarah Jones
    Cabinet (I) (Ivy/Trail), 2012
  • Sarah Jones Wild Rose (Blue Flower) (II), 2013
    Sarah Jones
    Wild Rose (Blue Flower) (II), 2013
  • Sarah Jones The Rose Garden (Display) (VI), 2014
    Sarah Jones
    The Rose Garden (Display) (VI), 2014
  • Sarah Jones The Rose Gardens (Display) (VII), 2014
    Sarah Jones
    The Rose Gardens (Display) (VII), 2014
  • Sarah Jones Cabinet (II) (After Man Ray) (I), 2013
    Sarah Jones
    Cabinet (II) (After Man Ray) (I), 2013
  • Sarah Jones Cabinet (II) (After Man Ray) (II), 2013
    Sarah Jones
    Cabinet (II) (After Man Ray) (II), 2013
  • Sarah Jones Cabinet (IV) (Red Velvet), 2013
    Sarah Jones
    Cabinet (IV) (Red Velvet), 2013
Press
  • Black in the Rose Garden: Sarah Jones at Anton Kern Gallery

    Daniel C. Blight, Aperture, May 30, 2014
    This link opens in a new tab.
  • Goings On About Town: Sarah Jones

    New Yorker, April 17, 2014
    This link opens in a new tab.
  • 10 New Photo Shows Expose the Insides of Statues and Atoms, Women and Revolutions

    Rebecca Robertson, ARTnews, April 3, 2014

Related artist

  • Sarah Jones

    Sarah Jones

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