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Brian Calvin

Past exhibition
September 4 - October 4, 2014
  • Overview
  • Installation Views
  • Works
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Overview
Brian Calvin The (Matt Dillon) Pose, 2014 Oil on canvas 30 x 24 inches (76.2 x 61 cm)
Brian Calvin
The (Matt Dillon) Pose, 2014
Oil on canvas
30 x 24 inches
(76.2 x 61 cm)

For his forth solo show at Anton Kern Gallery, Los Angeles-based artist Brian Calvin presents a group of paintings of faces, closely cropped or just of mouths and lips, as well as figures posing, some reflecting in a mirror. Calvin’s severe framing, along with his carefully scaled compositions, creates a narrowing and fixing of focus. It shapes a sense of proximity and personality, infusing the work with strength of character and a jarring presence.

 

Calvin, who has gained a reputation as the painter of “pausing-as-anactivity,” has over the last few years concentrated on painting isolated heads and faces. He has activated and intensified certain areas of the face while leaving others relatively calm. The focal point of intensity migrated from the eyes to the mouth. “I started isolating or focusing on the lips,” he explains, “as a way of altering the context of the faces. When the viewer is confronted with Lisp or Eternal Lips, it changes the reception of the faces.”

 

With minimal modeling of the facial features and backgrounds – almost touching onto a sense of Japanese allegorical flatness – the canvas is divided into clear shapes of sunlight-drenched colors, giving weight to the eyes and lips, revealing brushstrokes mainly for their chromatic values and occasionally for expressive accents. Eyelids are heavy under rainbows of eye shadow; irises sparkle and bounce back sky-blue, turquoise or sun-yellow reflections. It’s the mouths though, the glossy lips, inviting and longing, slightly split open and revealing beguiling gapped-teeth, or an orange, oblong-shaped tongue, that are the most arresting in these new works. They seem to address the viewer, demanding his or her attention, requesting an immediate sensory response.

 

In a triptych depicting the actor Matt Dillon, right after the peak of his Tiger Beat moment, posing next to the artist himself and his wife Siobhan, the trio copies each other’s attitudes and stance. Similar to the face close-ups, the viewer eventually looses sight of the recognizable (a pair of lips, a well known actor) and progresses into reading the painting as reverberating between just being paint and the works’ suggested probability and verisimilitude. Despite their non-naturalism, Calvin’s paintings become intensely believable. Calvin, the painter of the contemplative life, of paintings in which the figure appears as the non-figurative, makes the act of looking the inherent narrative. This certainly demands more of the viewer since the paintings refuse to offer any additional narrative structure, but then a reward is offered, a glimpse at unrelenting beauty, tenderness, and the timeless splendor of truth.

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List of Works
Installation Views
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. A few works shown.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. Three works featured.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. Vertical lips and a posed figure on a chartreuse background.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. Three works featured in this view.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. Multiple works featured, notably a girl a mirror.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. Some additional works.
  • Installation view of Brian Calvin's fourth show at Anton Kern Gallery, featuring a group of paintings of faces, lips, mouths, poses, and a mirror. Distanced view of the gallery, showing many works.
Works
  • Brian Calvin Only Child, 2013
    Brian Calvin
    Only Child, 2013
  • Brian Calvin Ha, 2014
    Brian Calvin
    Ha, 2014
  • Brian Calvin June, 2014
    Brian Calvin
    June, 2014
  • Brian Calvin For No One, 2014
    Brian Calvin
    For No One, 2014
  • Brian Calvin Lisp, 2014
    Brian Calvin
    Lisp, 2014
  • Brian Calvin Sweetheart Like You, 2014
    Brian Calvin
    Sweetheart Like You, 2014
  • Brian Calvin Pose, 2014
    Brian Calvin
    Pose, 2014
  • Brian Calvin Pose, 2014
    Brian Calvin
    Pose, 2014
  • Brian Calvin The (Matt Dillon) Pose, 2014
    Brian Calvin
    The (Matt Dillon) Pose, 2014
  • Brian Calvin Eternal Lips, 2014
    Brian Calvin
    Eternal Lips, 2014
  • Brian Calvin Painted Over, 2014
    Brian Calvin
    Painted Over, 2014
  • Brian Calvin Reflect, 2014
    Brian Calvin
    Reflect, 2014
  • Brian Calvin Mouthful, 2014
    Brian Calvin
    Mouthful, 2014
  • Brian Calvin Another Lost Thought, 2014
    Brian Calvin
    Another Lost Thought, 2014
Press
  • Brian Calvin paints emptiness at Anton Kern Gallery

    Daniel Gauss, Arte Fuse, September 23, 2014
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  • Brian Calvin x Anton Kern Gallery

    Pixie Market, September 19, 2014
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  • Critics’ Picks: Brian Calvin

    Anne Prentnieks, Artforum, September 19, 2014
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  • Brian Calvin at Anton Kern Galley

    Juliana Balestin, Purple Magazine Diary, September 15, 2014
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  • Brian Calvin’s Dewy-Eyed Girls: The Same Is Not the Same

    Paddy Johnson and Whitney Kimball, Art Fag City, September 10, 2014
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Publications
  • Brian Calvin

    Brian Calvin

    Brian Calvin 2014
    Hardcover 130 pages
    Publisher: Black Dog Publishing, London and Anton Kern Gallery, New York
    ISBN: 9781908966964
    Dimensions: 10 x 10 inches
    Read more

Related artist

  • Brian Calvin

    Brian Calvin

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