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Painted Sculptures: Mark Grotjahn

Past exhibition
September 10 - October 29, 2015
  • Overview
  • Installation Views
  • Works
  • Press
Overview
Mark Grotjahn Untitled (Blue Van Gogh Cypress, Mask M38.c), 2015 Oil paint on bronze 53 3/4 x 33 x 37 1/2 inches (sculpture) (136.5 x 83.8 x 95.3 cm) 37 x 36 1/2 x 19 inches (pedestals) (94 x 92.7 x 48.3 cm)
Mark Grotjahn
Untitled (Blue Van Gogh Cypress, Mask M38.c), 2015
Oil paint on bronze
53 3/4 x 33 x 37 1/2 inches (sculpture) (136.5 x 83.8 x 95.3 cm)
37 x 36 1/2 x 19 inches (pedestals) (94 x 92.7 x 48.3 cm)

In his fourth solo exhibition at Anton Kern Gallery, painter and sculptor Mark Grotjahn presents a new body of painted bronzes. This is the first gallery exhibition to further elaborate upon the artist’s 2014 sculpture presentation at the Nasher Sculpture Center in Dallas.

 

In a radical act of transformation, Grotjahn takes the most casual throwaway material, the cardboard box, and turns it into the most solid and noble of art mediums: the pedestal-mounted bronze sculpture. With their rough cutouts for eyes and mouths, glued-on cardboard tubes and toilet paper rolls for pipe-like noses, and ripped cardboard surfaces for texture and definition, these assemblages resemble primitive, child-like masks. Cast in bronze, Grotjahn paints them in decisive hues of green, purple, and red, inflected with smaller doses of other colors that are applied in gestural, expressionistic trails of paint and chromatic networks. Elevated on pinewood pedestals, the masks function simultaneously as paintings and as three-dimensional objects.

 

The mask or the grotesque face, a central although not always visible motif in Grotjahn’s painting and drawing practice from the beginning, has broken out of the flat surface into a three-dimensional form, and thereby freed the artist from the need to adhere to any face-like verisimilitude in the painting process. Grotjahn’s painted sculptures have become true hybrids—not mere combinations of two techniques, but rather unprecedented crossbreeds. They add an unparalleled step to the genealogy of modern art and of painted sculpture in particular, entering a dialogue with modernist concepts of the found object, the assemblage and welded sculpture (Pablo Picasso, Julio González) as well as non-Western-art-inspired objects and masks (Henri Matisse, André Derain, Ernst Ludwig Kirchner). Grotjahn is creating paintings without pictorial reference that are yet deeply rooted in the ancestry of the mask as an object of ritual, reflection and analysis of the unconscious.

 

An accompanying exhibition catalogue, published by Distanz, will be available in 2017.

Download Press Release
List of Works
Installation Views
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. Multiple works shown.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. An untitled painted sculpture is seen in this shot.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. View shows the protruding sculptural elements in each work.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. Two works featured.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. One work shown.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. Multiple works featured.
  • Installation view of Mark Grotjahn's fourth solo show at Anton Kern Gallery. Detail of one of the works.
Works
  • Mark Grotjahn Untitled (The Skies Remembered II, French Mask M31.e), 2014
    Mark Grotjahn
    Untitled (The Skies Remembered II, French Mask M31.e), 2014
  • Mark Grotjahn Untitled (Lost Blue over Mountain Walk, Italian Mask M30.f), 2014
    Mark Grotjahn
    Untitled (Lost Blue over Mountain Walk, Italian Mask M30.f), 2014
  • Mark Grotjahn Untitled (Lettered and Named Blue, French Mask M31.h), 2015
    Mark Grotjahn
    Untitled (Lettered and Named Blue, French Mask M31.h), 2015
  • Mark Grotjahn Untitled (Clear Morning, Mask M39.d), 2015
    Mark Grotjahn
    Untitled (Clear Morning, Mask M39.d), 2015
  • Mark Grotjahn Untitled (Walk Through Evening Effect, Mask M39.e), 2015
    Mark Grotjahn
    Untitled (Walk Through Evening Effect, Mask M39.e), 2015
  • Mark Grotjahn Untitled (Expressed Dated Exposed, Cosco Mask M40.b), 2015
    Mark Grotjahn
    Untitled (Expressed Dated Exposed, Cosco Mask M40.b), 2015
  • Mark Grotjahn Untitled (African II, Gated Front and Back Mask M44.a), 2015
    Mark Grotjahn
    Untitled (African II, Gated Front and Back Mask M44.a), 2015
  • Mark Grotjahn Untitled (African II, Gated Front and Back Mask M44.b), 2015
    Mark Grotjahn
    Untitled (African II, Gated Front and Back Mask M44.b), 2015
  • Mark Grotjahn Untitled (African, Gated Front and Back Mask M34.f), 2014
    Mark Grotjahn
    Untitled (African, Gated Front and Back Mask M34.f), 2014
  • Mark Grotjahn Untitled (Orange over Mountain Walk, Italian Mask M30.g), 2014
    Mark Grotjahn
    Untitled (Orange over Mountain Walk, Italian Mask M30.g), 2014
  • Mark Grotjahn Untitled (The Skies Remembered, French Mask M31.c), 2014
    Mark Grotjahn
    Untitled (The Skies Remembered, French Mask M31.c), 2014
  • Mark Grotjahn Untitled (Blue Van Gogh Cypress, Mask M38.c), 2015
    Mark Grotjahn
    Untitled (Blue Van Gogh Cypress, Mask M38.c), 2015
  • Mark Grotjahn Untitled (Blue Pink Van Gogh Cypress, Mask M38.d), 2015
    Mark Grotjahn
    Untitled (Blue Pink Van Gogh Cypress, Mask M38.d), 2015
  • Mark Grotjahn Untitled (Crisscrossed and Lettered, Jackson Mask M41.c), 2015
    Mark Grotjahn
    Untitled (Crisscrossed and Lettered, Jackson Mask M41.c), 2015
  • Mark Grotjahn Untitled (Race Track Scribble, Jackson Mask M41.d), 2015
    Mark Grotjahn
    Untitled (Race Track Scribble, Jackson Mask M41.d), 2015
Press
  • Mark Grotjahn at Anton Kern

    Anne Doran, ARTnews, November 30, 2015
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  • A Painter’s Sculptural Turn and an Insider Art World Favorite

    Peter Plagens, Wall Street Journal, November 23, 2015
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  • New York – Mark Grotjahn: ‘Painted Sculpture’ at Anton Kern Gallery

    Daniel Creahan, Art Observed, November 10, 2015
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  • Critics’ Picks: Mark Grotjahn

    Chinnie Ding, Artforum, September 25, 2015
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  • Galleries-Chelsea: Mark Grotjahn

    The New Yorker, September 21, 2015
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  • Review: Mark Grotjahn’s ‘Painted Sculpture’ Offers the Gorgeously Preposterous

    Roberta Smith, The New York Times, September 17, 2015
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Related artist

  • Mark Grotjahn

    Mark Grotjahn

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