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Matthew Monahan

Past exhibition
May 2 - June 21, 2014
  • Overview
  • Installation Views
  • Works
  • Press
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Overview
Matthew Monahan Double Blind, 2013 Charcoal on paper 44 1/2 x 32 5/8 inches (113 x 82.9 cm)
Matthew Monahan
Double Blind, 2013
Charcoal on paper
44 1/2 x 32 5/8 inches
(113 x 82.9 cm)

Los Angeles-based artist Matthew Monahan’s sixth solo show at Anton Kern Gallery presents sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Monahan molds his materials, which include aluminum, paper, bronze, plaster, steel, metal leaf, and fibre-reinforced plastic (FRP), in such a way that the viewer can never be sure of its true identity. The artist’s deliberate allusions to proto-scientific, or alchemist handling of materials, the mixing of high and low, goes hand in hand with an overwhelming sense of fragmentation that characterizes the works in this exhibition.

 

The figures, drawn or sculpted, are made up of fragmented limbs, heads and other body parts. Pieces are seemingly broken off, detached and re-assembled, incomplete, with an odd piece here and a scrap there. A sense of disintegration, collapse, or breakdown prevails, only gently allowing in a sense of re-assembled beauty. A single figure articulates an array of disparate elements; a bronze head supported by a plastic chest, inside of which a photocopied image transforms into a three-dimensional sash that extends around the waist and folds to become its own base. Sometimes, a figure’s skin seems fleshy, and at other times cold like a metallic shield. Steel frames function simultaneously as cages and as supports, with the sculptures weaving in and out.

 

Monahan’s deliberate use of fragmentation is reminiscent of Samuel Taylor Coleridge’s unfinished (but published as a fragment in 1816) poem "Kubla Khan; or, A Vision in a Dream: A Fragment". Coleridge claimed that inspiration for the poem came to him during an opium-induced dream. As the sight of waves and the ocean, of curtains and drapery, can trigger larger visions of fantastic empires, Monahan’s hallucinatory folds become further extensions of a sculptor’s vocabulary of actions and their resulting geometries; along with the fold comes the crumple, the wrinkle, the shattered piece, the disorderly polygon. Monahan pushes the fold to a breaking point, quite literally, suspending a moment of spontaneous violence in high-tech materials and processes that spark a wealth of associations.

 

Monahan uses fragmentation as a technique to break up the narrative. It signifies the breaking rather than building up of information, to form a structure that would convey a hidden message rather than the obvious one. The accompanying catalog can be a tool in identifying processes and details of all works, thereby adding a level of critical self-reflection to the exhibition.

Download Press Release
List of Works
Installation Views
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Many works featured.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Image shows expansiveness of Monahan's mediums.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Many works shown.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. A few more works presented.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Some more works.
  • 2014 Mon Install11
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. A few sculptures and drawings.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Detail of column with works in the back.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. A few sculptures.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Long sculpture with other works.
  • Installation view of Matthew Monahan's sixth solo show at Anton Kern Gallery, featuring sixteen sculptures, a set of drawings, two wall-mounted masks, and a single large figure in the back room. Three works.
Works
  • Matthew Monahan Hephaestus, 2013
    Matthew Monahan
    Hephaestus, 2013
  • Matthew Monahan Column I, 2014
    Matthew Monahan
    Column I, 2014
  • Matthew Monahan Column II (Hideout), 2014
    Matthew Monahan
    Column II (Hideout), 2014
  • Matthew Monahan Basho, 2014
    Matthew Monahan
    Basho, 2014
  • Matthew Monahan Ikkyu, 2014
    Matthew Monahan
    Ikkyu, 2014
  • Matthew Monahan Column III (The Two Step), 2014
    Matthew Monahan
    Column III (The Two Step), 2014
  • Matthew Monahan 12 Hour Raga, 2013/14
    Matthew Monahan
    12 Hour Raga, 2013/14
  • Matthew Monahan Double Decade, 1994/2014
    Matthew Monahan
    Double Decade, 1994/2014
  • Matthew Monahan Untitled, 2014
    Matthew Monahan
    Untitled, 2014
  • Matthew Monahan Double Blind, 2013
    Matthew Monahan
    Double Blind, 2013
  • Matthew Monahan Quick Fix, 2014
    Matthew Monahan
    Quick Fix, 2014
  • Matthew Monahan Fire Scribble, 2014
    Matthew Monahan
    Fire Scribble, 2014
  • Matthew Monahan Bora and Yugo, 2014
    Matthew Monahan
    Bora and Yugo, 2014
  • Matthew Monahan Bright Lament, 2014
    Matthew Monahan
    Bright Lament, 2014
  • Matthew Monahan The Contender, 2014
    Matthew Monahan
    The Contender, 2014
  • Matthew Monahan The Canyon, 2014
    Matthew Monahan
    The Canyon, 2014
  • Matthew Monahan Wreck of Hope, 2014
    Matthew Monahan
    Wreck of Hope, 2014
  • Matthew Monahan St. Barricade, 2014
    Matthew Monahan
    St. Barricade, 2014
  • Matthew Monahan Last Night, Maudin Street, 1999/2014
    Matthew Monahan
    Last Night, Maudin Street, 1999/2014
  • Matthew Monahan Kaiseki, 2014
    Matthew Monahan
    Kaiseki, 2014
  • Matthew Monahan Last Leg Island, 2014
    Matthew Monahan
    Last Leg Island, 2014
  • Matthew Monahan Bedside Manner, 2014
    Matthew Monahan
    Bedside Manner, 2014
  • Matthew Monahan Odessa, 2014
    Matthew Monahan
    Odessa, 2014
  • Matthew Monahan Student 26, 2014
    Matthew Monahan
    Student 26, 2014
Press
  • Exhibition Reviews: Matthew Monahan

    David Ebony, Art in America, November 1, 2014
    This link opens in a new tab.
  • On View: Matthew Monahan at Anton Kern Gallery

    Will Heinrich , Art in America, June 11, 2014
    This link opens in a new tab.
Publications
  • Matthew Monahan

    Matthew Monahan

    Contenders 2014
    Softcover
    Publisher: Anton Kern Gallery
    ISBN: 9780983362203
    Dimensions: 6.5 x 9.25 inches
    Read more

Related artist

  • Matthew Monahan

    Matthew Monahan

Back to exhibitions

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