Anton Kern Gallery
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • WINDOW
  • Fairs
  • News
  • Store
  • Info
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Anne Collier

Past exhibition
April 9 - May 14, 2016
  • Overview
  • Installation Views
  • Works
  • Press
Overview
Anne Collier Positive (California), 2016 C Print 89.125 x 71 inches 89.125 x 71 in (226.4 x 180.34 cm) (paper); 90.38 x 72.25 in (229.57 x 183.5 cm) (framed) Edition of 5 and 2 AP
Anne Collier
Positive (California), 2016
C Print
89.125 x 71 inches
89.125 x 71 in (226.4 x 180.34 cm) (paper);
90.38 x 72.25 in (229.57 x 183.5 cm) (framed)
Edition of 5 and 2 AP

In her fourth solo show at Anton Kern Gallery, the New York-based artist Anne Collier presents a body of new photographs that expands upon her ongoing inquiry into the nature and culture(s) of photographic images, exploring questions of perception and representation and the mechanics of the gaze. In addition to her now signature visual ‘motifs’ of the open book, images of women posed with camera equipment, and photographs of analog vinyl recordings, Collier introduces a new series of images: tightly cropped and dramatically enlarged works from a series collectively titled ‘Women Crying’. Sourced from album covers released between the late 1960s and the early 1980s these new images present a gender-specific consideration of staged and manufactured emotion.

 

Negotiating autobiography, nostalgia, and manifestations of pop-melancholia, Collier’s work considers the tensions between her employment of an often-forensic photographic objectivity and the highly subjective and emotive content she typically focuses on. Collier’s photographs invariably depict existing objects that incorporate photographic imagery: e.g. images, books, calendars, posters, and album or magazine covers. Often focusing on sexualized or emotionalized images of women, posing with or without cameras, close-ups of the human body, and recurring images of the eye, Collier does not necessarily consider her resulting images as a form of appropriation, rather she thinks of them as a form of still-life photography, making reference to both technical and commercial (advertising) photography. Collier shoots these found and second-hand objects in the context of the studio. There is little or no artifice at work in these images. The lighting is invariably clear and neutral, the exception being the tightly cropped and dramatically enlarged images of crying women taken from vintage album covers, where the idiosyncratic qualities of the original printed matter is both privileged and amplified.

 

In all of Collier’s works emotions initially appear to be withheld, where her approach to the photographic image seemingly echoes earlier manifestations of photo-conceptualism in both style and emotional detachment, presenting the object of investigation as if ready for analysis and deconstruction. However, something quite different comes to light in Collier’s richly toned and large color photographic prints, especially in the recent ‘Women Crying’ series. Exploring the seductive – and often clichéd - nature of photographic imagery, Collier’s photographs open themselves to the viewer emotionally. Working with discarded cultural artifacts, which typically include evidence of their previous lives, Collier subtly refocuses our attention towards possible new readings. Working around the casual, yet blatant sexism at play in the photographic milieu of the 1970s and 1980s Collier recharges and reanimates these often-contentious images through their subsequent representation and re-contextualization. In turn Collier’s work generates obscured, improbable and sometimes unintended meanings. Through the activity of researching, collecting, re-staging and re-photographing, Collier reformulates original intent, re-distributes meaning and ultimately imbues her subjects with a form of aesthetic and emotional character that is uniquely her own.

 

A new artist book entitled Women Crying accompanying the exhibition will be available.

Download Press Release
List of Works
Installation Views
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. Multiple works shown.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. Three works shown.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. Some works featured.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. Distanced shot of the gallery.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. Works featured are Quality Control and the Photographer's Eye.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. View of gallery with multiple works shown.
  • Installation view of Anne Collier's fourth solo show at Anton Kern Gallery. Positive and Things I Want to Accomplish shown in this installation view.
Works
  • Anne Collier Album (For Whom The Bell Tolls), 2016
    Anne Collier
    Album (For Whom The Bell Tolls), 2016
  • Anne Collier Album (Detail), 2016
    Anne Collier
    Album (Detail), 2016
  • Anne Collier Woman Crying #7, 2016
    Anne Collier
    Woman Crying #7, 2016
  • Anne Collier Woman With A Camera (Profile), 2016
    Anne Collier
    Woman With A Camera (Profile), 2016
  • Anne Collier Album (Clouds #2), 2016
    Anne Collier
    Album (Clouds #2), 2016
  • Anne Collier Album (Clouds #1), 2016
    Anne Collier
    Album (Clouds #1), 2016
  • Anne Collier Open Book (Waves) 2, 2016
    Anne Collier
    Open Book (Waves) 2, 2016
  • Anne Collier Woman Crying #6, 2016
    Anne Collier
    Woman Crying #6, 2016
  • Anne Collier Woman Crying #8, 2016
    Anne Collier
    Woman Crying #8, 2016
  • Anne Collier Woman Crying #4, 2016
    Anne Collier
    Woman Crying #4, 2016
  • Anne Collier Quality Control, 2016
    Anne Collier
    Quality Control, 2016
  • Anne Collier The Photographer's Eye, 2016
    Anne Collier
    The Photographer's Eye, 2016
  • Anne Collier Things I Want To Accomplish, 2016
    Anne Collier
    Things I Want To Accomplish, 2016
  • Anne Collier Positive (California), 2016
    Anne Collier
    Positive (California), 2016
Press
  • Goings On About Town: Anne Collier

    New Yorker, May 16, 2016
    This link opens in a new tab.
  • Chelsea Galleries, Like a Box of Chocolates

    Ken Johnson, Chelsea Galleries, Like a Box of Chocolates, April 29, 2016
    This link opens in a new tab.
  • Weekend Edition: 11 Things to Do in New York’s Art World Before April 11 2016

    Paul Laster, New York Observer, April 7, 2016
    This link opens in a new tab.
  • Critics' Picks: Anne Collier

    Lara Atallah, Artforum, April 1, 2016
    This link opens in a new tab.

Related artist

  • Anne Collier

    Anne Collier

Back to exhibitions

ANTON KERN GALLERY

16 East 55th Street

New York, NY 10022

 

Hours:

Tuesday - Saturday: 10am - 6pm

 

 

 

 

T  212.367.9663

F  212.367.8135 

 

 

 

 

   

WINDOW, on view 24/7
91 Walker Street (corner of Walker and Lafayette Street)

General Inquiries:
info@antonkerngallery.com

 

Press Inquiries:
press@antonkerngallery.com

Go
Instagram, opens in a new tab.
Tiktok, opens in a new tab.
Join the mailing list
Manage cookies
Copyright © 2025 Anton Kern Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences